Shoot 1:
The first shoot did not go well. To start with I forgot to roll on the film, then, when I removed the film after the shoot found that the film was either loaded the wrong way round (particularly problematic with paper backed film) or somehow got twisted in the camera (I tried to roll the film on a new spool so that I could use it again, only to find, when I got to the tape, that the film and paper were looping around the spool)
Shoot 2:
Went much better. Used 2 rolls of film - both turned out fine, no digital camera involved at all. There weren't as many props this time but every single image I took was captured and very few were blurry - only 3 came out badly and I think that was from the developer not reaching them in the tub (so me not shaking it enough)
Dark Room: all gone fairly smoothly, apart from aforementioned issues that were mostly my fault, the only problem was having to re-do a photo due to having wet fingers while using exposing the paper, so rubbing the emulsion off
Thursday, 31 January 2013
Medium Format Camera
During todays (9/1/2013) lesson we have looked at using a medium format film camera - moving on from the large format cameras we were using before Christmas - which was suprisingly complicated. We had some issues at the start and with having to take a dark slide out before taking a photo - so there a several blank slides - and we weren't able to take as many as we should have done.
We were working in the studio and outside. Outside was less controlled than working in the studio - and the images reflect the weather, while the studio photos have more time was spent on the lighting than the subject.
When developing the film we discovered that we had in fact lost 5 potential images, almost entirely because of the slide.
We were working in the studio and outside. Outside was less controlled than working in the studio - and the images reflect the weather, while the studio photos have more time was spent on the lighting than the subject.
When developing the film we discovered that we had in fact lost 5 potential images, almost entirely because of the slide.
Evaluation - Mag/Vid
The basis of this magazine/video was supposed to be about making your own clothes - which I have sort of stuck to, but I have dropped an important aspect of it. Instead of making clothes and showing how that could be done on a budget, and be fun, I didn't make anything, and I should have. I think the project is now noticeably lacking that missing part. The project looks and feels flat, as well as slightly tacky. As yet I have not included the section on people in or around college and what they wear - I will do, it will just be handed in a bit late.
There is a strong yellow-y theme running throughout. I chose the yellow background for the photo shoot on a whim - it was there in the studio, and I hadn't used a yellow background before. I don't think it detracts from the images, I think it adds to them, making them look cheerful and hard to miss; I just don't think it looks professional or sophisticated enough for photo's in a magazine. The magazine is supposed to look more like a fan-zine (according to Tony, not me), but I think it looks neither fan-zine-y or professional in the right sense.
The video was supposed to be 2 minutes long, but due to my lack of planning and ideas, it only 53 seconds long; and that was only from me really pushing myself to make it longer. The video is cheesy, confusing and, I feel, its fairly clear, when you watch it, that I have not spent enough time on it. The video has ended up being more like an advert then the video magazine it was supposed to be.
The music I chose for the video, 'The Jean Genie' by David Bowie, links well with the context, the song is about an item of clothing - jeans - and the video is about making clothing. The beat of the song works well with the speed of the stills, even though they are not all the same length. I was torn between 'The Jean Genie' and 'Bohemian Like You' by The Dandy Warhols, but although the timing of 'Bohemian Like You' with the video was spectacular, the words were completely unrelated and I decided they would confuse the viewer more.
I've included a warning at the beginning of the video due the fast, flashing nature of the edit.
see my video at:
http://www.youtube.com/watch?v=F5UnEt2rNE0&feature=youtu.be
There is a strong yellow-y theme running throughout. I chose the yellow background for the photo shoot on a whim - it was there in the studio, and I hadn't used a yellow background before. I don't think it detracts from the images, I think it adds to them, making them look cheerful and hard to miss; I just don't think it looks professional or sophisticated enough for photo's in a magazine. The magazine is supposed to look more like a fan-zine (according to Tony, not me), but I think it looks neither fan-zine-y or professional in the right sense.
The video was supposed to be 2 minutes long, but due to my lack of planning and ideas, it only 53 seconds long; and that was only from me really pushing myself to make it longer. The video is cheesy, confusing and, I feel, its fairly clear, when you watch it, that I have not spent enough time on it. The video has ended up being more like an advert then the video magazine it was supposed to be.
The music I chose for the video, 'The Jean Genie' by David Bowie, links well with the context, the song is about an item of clothing - jeans - and the video is about making clothing. The beat of the song works well with the speed of the stills, even though they are not all the same length. I was torn between 'The Jean Genie' and 'Bohemian Like You' by The Dandy Warhols, but although the timing of 'Bohemian Like You' with the video was spectacular, the words were completely unrelated and I decided they would confuse the viewer more.
I've included a warning at the beginning of the video due the fast, flashing nature of the edit.
see my video at:
http://www.youtube.com/watch?v=F5UnEt2rNE0&feature=youtu.be
Evaluation: Portraits
For this project we have looked at several different photo formats, from large format film, to digital.
I have made series of photographs based mainly on Cecil Beaton, using a medium format camera and film, as opposed to a large format camera. I have also taken colour digital photographs to go with the black-and-white film pictures and back them up. I think this project has gone really well, especially since I had to take the photos, develop and edit them in two weeks. The images themselves have turned out better than I expected. The first shoot I did I lost most of the images, but the second one was much better, and I didn't loose a single one. Overall, there is only about 3 photos not in focus, including on the film that got caught in the first photo session.
I'm happy with how the images have turned out - even though they don't all work together, they are all pretty good images in themselves. Of the 3 film images I've chosen to use, all are very different, but very similar. They are the same size and shape and hats and flowers feature prominently. Although I didn't mention flowers in my initial proposal, it seemed natural for me to include hair-pieces generally.
I did struggle a bit with the dark room - I don't think I developed of the negatives correctly, part of one is mostly black but still usable. The grey-scale varies between the pictures, and image that went wrong the first time I developed it, is much darker on re-doing due to (I think) using fresh chemicals or leaving in the developer for the correct time.
I have made series of photographs based mainly on Cecil Beaton, using a medium format camera and film, as opposed to a large format camera. I have also taken colour digital photographs to go with the black-and-white film pictures and back them up. I think this project has gone really well, especially since I had to take the photos, develop and edit them in two weeks. The images themselves have turned out better than I expected. The first shoot I did I lost most of the images, but the second one was much better, and I didn't loose a single one. Overall, there is only about 3 photos not in focus, including on the film that got caught in the first photo session.
I'm happy with how the images have turned out - even though they don't all work together, they are all pretty good images in themselves. Of the 3 film images I've chosen to use, all are very different, but very similar. They are the same size and shape and hats and flowers feature prominently. Although I didn't mention flowers in my initial proposal, it seemed natural for me to include hair-pieces generally.
I did struggle a bit with the dark room - I don't think I developed of the negatives correctly, part of one is mostly black but still usable. The grey-scale varies between the pictures, and image that went wrong the first time I developed it, is much darker on re-doing due to (I think) using fresh chemicals or leaving in the developer for the correct time.
Wednesday, 30 January 2013
magazine stuffs
Magazines/Papers
Metro - cross between magazine and newspaper. Has both photographs and written stories - from breaking news to interviews with actors. The paper covers a wide range of different subjects, reviewing films, games and similar, writing about celebrities, the weather, important news, and fashion.
The fashion page has a plain background with cut out clothes pasted on it. There is a small paragraph next to each item saying what it is, where its from, and the price.
Sew Hip - a sewing magazine, all the photographs are of young women and children but the actual content seems to be aimed more at retired women. Although the actual theme is practical based, it is very feminine, with a lot of pink, household items and childrens stuff. However, very instructive.
G2 (Guardian TV Magazine) - a short daily magazine full of random facts and topical news, with that days television at the end. The first pages are about topical news, with a run down of the days topics of interest, the next articles are all more cultural, while still based in current news trends. The magazine also contains several art, TV and theatre reviews.
Grow Your Own - monthly gardening magazine. Colourful and instructive - with coloured - usually green, sometimes red - boarders round extra info. Articles include pest control, Q&A, and what to start growing/harvesting now. With 'specials' including celebrity chefs winter recipes and whether or not a small-holding is a good idea.
Videos!
How to build a room divider, by Nuts and Bolts
Intro: title sequence showing close-ups of things being cut/screwed etc fairly proffessional looking.
Main: two presenters, introduce concept of design. The then show how to make the divider, while talking you through it. Made on MDF, dreadful colours and held together almost entirely by glue. All materials pre-cut - not as informative as it could be, very little genuinly useful info.
How to fix holes in your wall, by MattG (Fixin' things with MattG)Intro: small clips running across screen, nothing filling screen. Semi proffessional
Main: fills in pin holes with toothpaste, then goes off on a tangent about 'midget throwing' and Russian spies. Tells you 'facts' about toothpaste - such as how 'people used to eat it on bread', etc. Bit weird, never thought of filling holes in the wall with toothpaste before.
How to make your own bath salts, by Do It, Gurl
proffessional looking.
Intro: title sequence showing previous episodes and spray painting 'do it, gurl' on a pink background
Main: behind black counter, with brick work background. presenter gives ingredients list, and mixes them together in a jar. She is chatty, informal, and passing on potentially useful information.
Saundarya - Eye make-up - How to get smokey eyes, by Saundarya
Entirely in an Indian language [Hindi?]
Proffessional looking - filmed in a salon, by CareWorldTV
Intro: heavy graffics to start, really creepy all white women, like plastic maniquins.
Main: several different cameras, looks shoot in one go. Takes eye-shadow from same place on pallette each time, which is confusing. However, completely understandable, despite being in a different languange, and fairly useful, if its what you're looking for.
Red Carpet Make-up tutorial, by Beauty Smarties Showdown
Intro: just the presenter showing the look and saying hi - unproffessional, filmed in her bedroom
Main: one main shot, with close-ups for when doing eye make-up. Several speed-ups, dodgy cuts. Most like spent on eyes. Chatty, talkative throughout, but quite dull to watch.
see also: http://cerijudd.blogspot.co.uk/2013/01/mark.html
http://cerijudd.blogspot.co.uk/2012/11/magazine-stuffs.html
Metro - cross between magazine and newspaper. Has both photographs and written stories - from breaking news to interviews with actors. The paper covers a wide range of different subjects, reviewing films, games and similar, writing about celebrities, the weather, important news, and fashion.
The fashion page has a plain background with cut out clothes pasted on it. There is a small paragraph next to each item saying what it is, where its from, and the price.
Sew Hip - a sewing magazine, all the photographs are of young women and children but the actual content seems to be aimed more at retired women. Although the actual theme is practical based, it is very feminine, with a lot of pink, household items and childrens stuff. However, very instructive.
G2 (Guardian TV Magazine) - a short daily magazine full of random facts and topical news, with that days television at the end. The first pages are about topical news, with a run down of the days topics of interest, the next articles are all more cultural, while still based in current news trends. The magazine also contains several art, TV and theatre reviews.
Grow Your Own - monthly gardening magazine. Colourful and instructive - with coloured - usually green, sometimes red - boarders round extra info. Articles include pest control, Q&A, and what to start growing/harvesting now. With 'specials' including celebrity chefs winter recipes and whether or not a small-holding is a good idea.
Videos!
How to build a room divider, by Nuts and Bolts
Intro: title sequence showing close-ups of things being cut/screwed etc fairly proffessional looking.
Main: two presenters, introduce concept of design. The then show how to make the divider, while talking you through it. Made on MDF, dreadful colours and held together almost entirely by glue. All materials pre-cut - not as informative as it could be, very little genuinly useful info.
How to fix holes in your wall, by MattG (Fixin' things with MattG)Intro: small clips running across screen, nothing filling screen. Semi proffessional
Main: fills in pin holes with toothpaste, then goes off on a tangent about 'midget throwing' and Russian spies. Tells you 'facts' about toothpaste - such as how 'people used to eat it on bread', etc. Bit weird, never thought of filling holes in the wall with toothpaste before.
How to make your own bath salts, by Do It, Gurl
proffessional looking.
Intro: title sequence showing previous episodes and spray painting 'do it, gurl' on a pink background
Main: behind black counter, with brick work background. presenter gives ingredients list, and mixes them together in a jar. She is chatty, informal, and passing on potentially useful information.
Saundarya - Eye make-up - How to get smokey eyes, by Saundarya
Entirely in an Indian language [Hindi?]
Proffessional looking - filmed in a salon, by CareWorldTV
Intro: heavy graffics to start, really creepy all white women, like plastic maniquins.
Main: several different cameras, looks shoot in one go. Takes eye-shadow from same place on pallette each time, which is confusing. However, completely understandable, despite being in a different languange, and fairly useful, if its what you're looking for.
Red Carpet Make-up tutorial, by Beauty Smarties Showdown
Intro: just the presenter showing the look and saying hi - unproffessional, filmed in her bedroom
Main: one main shot, with close-ups for when doing eye make-up. Several speed-ups, dodgy cuts. Most like spent on eyes. Chatty, talkative throughout, but quite dull to watch.
see also: http://cerijudd.blogspot.co.uk/2013/01/mark.html
http://cerijudd.blogspot.co.uk/2012/11/magazine-stuffs.html
Monday, 28 January 2013
Proposal
For this magazine I would like to look at fashion, particularly homemade. The video I have to make will also be based around the same subject. The video will use the same still images as the magazine as well as some others, I do not want to use actual video, or a voice over; although I will include music.
The video will be still images edited to a sequence selling at once the idea of making your own and the designer. The magazine will be selling my fashion designer - Bina Miyangar - to a wider audience, and showing what people normally wear in and around town. The magazine will have a simple layout of full page images, with an interview over top on one side.
Influences have been fashion magazines and information things on you tube that the tutor has shown us. Many of them were more information based than photographic - however I don't think what I make will be so comprehensive.
I will need a camera, studio, patterns, and general dress-making stuff (fabric, needles pins, thread etc)
schedule: all done by 1st feb
The video will be still images edited to a sequence selling at once the idea of making your own and the designer. The magazine will be selling my fashion designer - Bina Miyangar - to a wider audience, and showing what people normally wear in and around town. The magazine will have a simple layout of full page images, with an interview over top on one side.
Influences have been fashion magazines and information things on you tube that the tutor has shown us. Many of them were more information based than photographic - however I don't think what I make will be so comprehensive.
I will need a camera, studio, patterns, and general dress-making stuff (fabric, needles pins, thread etc)
schedule: all done by 1st feb
Large Format Camera
During lessons we have been looking at large format film cameras - the sort that Cecil Beaton and co. would have used.
In the first lesson, we used photographic paper to take the photos, so that we could get used to using the cameras and experience the time it would have taken for the original photographers. Cutting it down to fit the slide, then using the enlargers to invert the image onto another piece of paper.
In the second lesson we used actual film, and took images properly in the studio, using and changing the lighting.
Taking photo's using a large format camera was much calmer than using digital. It was in entirely different experience, involving a lot more patience and thoughtful planning, which I tend to ignore when using digital
When developing the images, we discovered that some of the film may have been put in the wrong way, so out of 4 photos only one had been successful. We borrowed a negative from the other group, which was really 'thin' (most of the emulation had gone, very little contrast between light and dark) and took a very long time to get a good image from it.
In the first lesson, we used photographic paper to take the photos, so that we could get used to using the cameras and experience the time it would have taken for the original photographers. Cutting it down to fit the slide, then using the enlargers to invert the image onto another piece of paper.
In the second lesson we used actual film, and took images properly in the studio, using and changing the lighting.
Taking photo's using a large format camera was much calmer than using digital. It was in entirely different experience, involving a lot more patience and thoughtful planning, which I tend to ignore when using digital
When developing the images, we discovered that some of the film may have been put in the wrong way, so out of 4 photos only one had been successful. We borrowed a negative from the other group, which was really 'thin' (most of the emulation had gone, very little contrast between light and dark) and took a very long time to get a good image from it.
Friday, 25 January 2013
Proposal
The concept of my portraiture based around Cecil Beaton and the very posed, still looking images that he and his contemporaries took. In particular I would like to look at hats as a fashion piece/statement. I will concentrate on head shots and close-ups.
The photo's will be taken in the studio, using a mix of both medium format film and digital formats. I'd like to use a combination of soft light and harsh to produce shadows. For that I will need three lights, with two soft boxes and a cone, I may also open the blinds so as to have as much light as possible, while still creating shadows. The models hair will be styled half up/half down
My influences for this project were Cecil Beaton and Horst P. Horst. To a lesser extent famous poses - such as Hamlet with a skull - have also influenced me, Rankin may also have an effect.
I will be producing 5+ images in a mix of colour - digital - and black-and-white - film. All the photos will be studio portraits with similar lighting, hair and clothing.
The photo's will be taken in the studio, using a mix of both medium format film and digital formats. I'd like to use a combination of soft light and harsh to produce shadows. For that I will need three lights, with two soft boxes and a cone, I may also open the blinds so as to have as much light as possible, while still creating shadows. The models hair will be styled half up/half down
My influences for this project were Cecil Beaton and Horst P. Horst. To a lesser extent famous poses - such as Hamlet with a skull - have also influenced me, Rankin may also have an effect.
I will be producing 5+ images in a mix of colour - digital - and black-and-white - film. All the photos will be studio portraits with similar lighting, hair and clothing.
Tuesday, 22 January 2013
Rankin Photo Copy
As a group we copied a photograph by Rankin. playing with the lighting and exposure, and then changing the intensity and colouring to match, as close as posible, the original
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Micheal Dean's edit |
![]() |
Rankin Image |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjreXFQqyKPEa-lF6dxwFh3OoNVSMMvTDzX8oBrrb_j2hRV-mBWV2dKnXYarAqNcL_E3LRa2Ptoi9qEKNDkiTLn5oFHWSS7abvC_BzLhYRiys03zl6HfTMY3lNmOkfD-dooPpc4Sdsz2J8/s320/Rankin+copy.jpg)
Hill and Adamson; Napoleon Sarony
David Octavius Hill (1802-1970) and Robert Adamson (1821-1848) - calotype
Hill and Adamson were an arist and photographer team. Hill, wanted to document the separation of the Free Church of Scotland from the Church of Scotland, but being an artist, he planned to draw each of the 400 ministers present at this meeting. Hills friend, Sir David Brewster, seeing the difficulties in this plan, introduced Hill and Adamson. Adamson was a barely established photographer in Edinburugh. He knew Brewster, a scientist friend of William Henry Fox Talbot, through his brother, Dr John Adamson, and it was he that introduced Adamson to photography
Adamson and Hill were an excellent pairing, however. Hill directed the subjects, and Adamson took the photo. Together they photographed several series of photographs - nearly 3000 photographs - until Adamsons death in 1848, just 5 years after they met, and aged only 26.
http://www.metmuseum.org/toah/hd/hlad/hd_hlad.htm
http://www.gla.ac.uk/services/specialcollections/collectionsa-z/hilladamson/hilladamsonbiographies/
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTa6nYuw_y5WPtnIikkFG9VRBetWVt-o0DITFRMloQp3jq0sSc_Hmnk7M4zmdVfgoRZndR6db43gX1Be3NElfgNNKivGsjco22g581erRzHm1h1Df7ECTR8BJjiNeq4Ohjn1fefuxulRY/s320/Picture+19.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVe6y9ZqS68zbd0o_7RV3Tz00HWfcz60XfnQjvQ6yWawqT8BWsETJdYNyRGul7FR7qXw6IQMVTyE67vLR3FEZ3DxWnDn41gjdKK0WiARm_e3bImeJc99Z-gcYZSz2jKZ8A8Omm6j86APM/s320/Picture+18.png)
Napoleon Sarony - photographer and lithographer
"lithographer and budding photographer recognized the opportunity presented by the ascent of theater in society and the innovations in modern photography and launched a studio on Broadway in 1866. Over the next thirty years he photographed virtually every star of the New York stage. Upon his death, it is estimated that he had more than 40,000 negatives of show business personalities in his possession."
http://xroads.virginia.edu/~MA02/volpe/theater/theater/sarony.html
Hill and Adamson were an arist and photographer team. Hill, wanted to document the separation of the Free Church of Scotland from the Church of Scotland, but being an artist, he planned to draw each of the 400 ministers present at this meeting. Hills friend, Sir David Brewster, seeing the difficulties in this plan, introduced Hill and Adamson. Adamson was a barely established photographer in Edinburugh. He knew Brewster, a scientist friend of William Henry Fox Talbot, through his brother, Dr John Adamson, and it was he that introduced Adamson to photography
Adamson and Hill were an excellent pairing, however. Hill directed the subjects, and Adamson took the photo. Together they photographed several series of photographs - nearly 3000 photographs - until Adamsons death in 1848, just 5 years after they met, and aged only 26.
http://www.metmuseum.org/toah/hd/hlad/hd_hlad.htm
http://www.gla.ac.uk/services/specialcollections/collectionsa-z/hilladamson/hilladamsonbiographies/
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTa6nYuw_y5WPtnIikkFG9VRBetWVt-o0DITFRMloQp3jq0sSc_Hmnk7M4zmdVfgoRZndR6db43gX1Be3NElfgNNKivGsjco22g581erRzHm1h1Df7ECTR8BJjiNeq4Ohjn1fefuxulRY/s320/Picture+19.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVe6y9ZqS68zbd0o_7RV3Tz00HWfcz60XfnQjvQ6yWawqT8BWsETJdYNyRGul7FR7qXw6IQMVTyE67vLR3FEZ3DxWnDn41gjdKK0WiARm_e3bImeJc99Z-gcYZSz2jKZ8A8Omm6j86APM/s320/Picture+18.png)
Napoleon Sarony - photographer and lithographer
"lithographer and budding photographer recognized the opportunity presented by the ascent of theater in society and the innovations in modern photography and launched a studio on Broadway in 1866. Over the next thirty years he photographed virtually every star of the New York stage. Upon his death, it is estimated that he had more than 40,000 negatives of show business personalities in his possession."
http://xroads.virginia.edu/~MA02/volpe/theater/theater/sarony.html
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