"French,
1857-1927
The life and the intention of Eugene Atget are
fundamentally unknown to us. A few documented facts
and a handful of recollections and legends provide a scant outline of the man:
and a handful of recollections and legends provide a scant outline of the man:
He was born in Libourne,
near Bordeaux, in 1857, and worked as a sailor during his youth; from the sea
he turned to the stage, with no more than minor success; at forty he quit
acting, and after a tentative experiment with painting Atget became a
photographer, and began his true life's work.
"Until his death thirty years later he worked
quietly at his calling. To a casual observer he might have seemed a typical
commercial photographer of the day. He was not progressive, but worked
patiently with techniques that were obsolescent when he adopted them, and very
nearly anachronistic by the time of his death. He was little given to
experiment in the conventional sense, and less to theorizing. He founded no
movement and attracted no circle. He did however make photographs which for
purity and intensity of vision have not been bettered.
"Atget's work is unique on two levels. He was
the maker of a great visual catalogue of the fruits of French culture, as it
survived in and near Paris in the first quarter of this century. He was in
addition a photographer of such authority and originality that his work remains
a bench mark against which much of the most sophisticated contemporary
photography measures itself. Other photographers had been concerned with
describing specific facts (documentation), or with exploiting their indivisual
sensibilities (self-expression). Atget enconpassed and transcended both
approaches when he set himself the task of understanding and interpreting in
visual terms a complex, ancient, and living tradition.
"The pictures that he made in the service of
this concept are seductively and deceptively simple, wholly poised, reticent,
dense with experience, mysterious, and true."
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